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| 6

PostWar & Contemporary

3406

NATALIA DUMITRESCO

(Romania 1915 - 1997 France)

Untitled. 1950.

Oil on canvas.

Dated on the reverse: MAI 50.

130 x 97 cm.

We thank Anna-Maria & Theodor Nicol for

their scientific advice.

Natalia Dumitresco was born in Bucha-

rest in 1915 and began her training at the

Kunstakademie with Franz Sirató in 1934,

which was completed in 1939. In the same

year she married the painter Alexandre

Istrati, and in 1947 they both received a

bursary from the French State and moved

to Paris. For some time she attended the

Académie André Lothe. The couple quickly

established a friendship with Constantin

Brâncuşi, also originally Rumanian, and

shared a studio directly next to his. When

Brancusi died in 1957, they were made his

heirs and therefore dedicated themselves

increasingly to the presentation of his

life’s work. As sole heirs, they bequeathed

Brâncuşi’s work to the French Nation and

planned a reconstruction of Brâncuşi’s

atelier in the Centre Pompidou, which

was inaugurated in 1977. They also wrote,

together with Pontus Hultén, a biography

of the artist which appeared in 1986. In the

meantime, Dumitresco and Istrati were

granted French citizenship in 1965.

From the 1950s, Dumitresco was in close

contact with the Paris avant-garde, which

was reflected in her work. Her works were

shown at international exhibitions in cities

throughout the world and in 1952 she

received the Espace group prize, in 1955

the Kandinsky Prize, in 1959 the Carnegie

Prize and in 1969 the 1st prize of the Salon

Internationale de la Femme. Natalia died

in Paris in July 1997 and was laid to rest

with her husband in a grave at Montpar-

nasse cemetery, which they shared with

Brâncuşi.

The present piece is a rare early work;

such pieces seldom appear on the art

market. The work, from 1950, is still very

two-dimensional and open, with sweeping

lines and large areas of colour. Her later

works are often large city views, with linear

structures and forms divided into small

sections. Yet even this early oil painting

shows a clear commitment to abstrac-

tion, and has a striking luminosity which is

typical of Dumitresco.

CHF 7 000 / 9 000

(€ 6 480 / 8 330)