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Impressionist & Modern Art

| 30

3223 MAURICE DE VLAMINCK

(Paris 1876 - 1958 Rueil-la-Gadelière)

Marine. Circa 1937/38.

Oil on canvas.

Signed lower left: Vlaminck.

65 x 81 cm.

The authenticity of the work has been

confirmed by the Wildenstein Institute,

Paris, October 2016.

Provenance:

- Collection Scherz-Meister, Bern.

- Private Collection, Bern (by descent to

the present owner).

Exhibitions:

- Geneva 1958, Exposition Vlaminck. Mu-

sée de l'Athénée, 17 July - 11 September

(with label on the reverse).

- Bern 1961, Maurice de Vlaminck. Berner

Kunstmuseum, 4 February - 3 April, no.

185 (with label on the reverse).

"Je préfère la paine à la mer, je suis plus

terrien que marin. La vue de la mer me

plonge dans une angoisse profonde. La

mer me fait peur et devant elle je me sens

faible, chétif et impuissant. Son calme

perfide et hypocrite ne me trompe pas,

il semble cacher la jalousie et la hostilité

qu’elle me témoigne" (Vlaminck, Paysage

et personnage, 1953). Although Vlaminck

was very afraid of the sea and its unpredic-

tability, he liked dealing with it as a subject

of his paintings. In fact, showing the sea in

its wild and frightening state even seems

to have provided a special allure to the

artist.

Maurice de Vlaminck is not unjustly called

the "Fauve of Fauves", being the longest

to follow the credo of the art group which

emerged in 1905 and was only very short-

lived. One can also recognise the impe-

tuous line and vitality in his later works.

He enjoyed using stormy scenes, and he

was especially excited by the erupting

sea caused by storm, as in this beautiful

example. With great skill he manages to

capture the fascinating play of light caused

by the gloomy weather.

However, the present "Marine", which was

shown at two important exhibitions in

Geneva and Bern shortly after the death

of Vlaminck, shows an ambivalent mood.

In comparison with other works, the sea

seems relatively calm. The ships appear

to have a fairly safe course. The medium-

strong waves and the gulls flying above

the scenery are in a movement which

indicates a storm that has either passed or

is still imminent. An additionally attractive

feature in this work is the light of the sun

or the moon glimmering on the horizon,

which appears to be intensifying and

lends a positive focus to the threatening

scenery.

CHF 60 000 / 90 000

(€ 55 560 / 83 330)