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Page Background 3659 PABLO PICASSO

(Málaga 1881 - 1973 Mougins)

Danaé. 1962.

Colour linocut. 29/50. Signed lower right:

Picasso, also mirror dated in the stone

upper and lower left: 25.2.62 and 25.1.62.

Image 27 x 35 cm on vélin by Arches (with

the trimmed watermark) 44.8 x 63 cm.

Published by galerie Louise Leiris. Printed

by Arnéra.

Catalogue raisonné:

- Bloch, no. 1084.

- Baer, no. 1286, 4th state, Ba.

In his works, Pablo Picasso turned repea-

tedly to Greek mythology. In the „Suite

Vollard“ from the 1930s, the Minotaur

appears, the Faun is a recurring motif –

also in the ceramics - , the Bacchanal is

featured in numerous linocuts, and in the

present work he takes on the story of

„Danae“, who was tempted by Zeus in the

form of a shower of gold. In a total of four

states, Picasso experimented with various

types of colouring, which give each sheet

its particular expression, so that the pre-

sent fourth state impresses with its most

sophisticated colouring.

Picasso‘s preeminent skill in the field of

printing culminates in his superior and yet

bold handling of forgotten printing tech-

niques. So states Felix Brunner: „Not so

long ago a publisher would have been hard

pushed to show a compelling example of a

linocut. Now Pablo Picasso has produced

an entire series of fine, multi-coloured

linocuts.“ (Brunner, Felix: Handbuch

der Druckgraphik, Teufen 1964, p. 50).

Linocuts, within the field of colour printing

techniques, have the great advantage that

the artist does not need different plates

for different colours (as would be the case

for example with colour woodcuts), but

works with just one plate, which is altered

with each stage of printing. To begin with,

a light rectangle is printed using the uncut,

inked lino plate; then it is cut and printed

with a somewhat darker colour. This pro-

cess is repeated until the definitive work

is produced. „The genius of being limited

to one plate, means that he prevents the

image from disintegrating into its individual

colours, and at the same time avoids the

forms being copied.“ (ibid, p. 311).

CHF 20 000 / 30 000

(€ 18 520 / 27 780)

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Prints & Multiples