Previous Page  11 / 53 Next Page
Information
Show Menu
Previous Page 11 / 53 Next Page
Page Background

| 9

3206 JEAN DUFY

(Le Havre 1888 - 1964 Boussay)

Fleurs et fruits. Circa 1948/49.

Oil on canvas.

Signed lower left: Jean Dufy.

38 x 46 cm.

The authenticity of the work has been

confirmed by Jacques Bailly, Paris, 6 Sep-

tember 2016.

Provenance: Private collection, Switzer-

land.

Exhibition: Cologne 1958, Jean Dufy.

Gemälde Galerie Abels, 1 October - 30

November, no. 9 (with ill.).

Jean Dufy’s early painting is dominated

by colour harmonies in muted brown, blue

and red tones. After his move to Paris

around 1920, his style underwent a rapid

change. His acquaintances in Paris with

Derain, Braque and Picasso, as well as his

encounter with Fauvism, influenced his

painting decisively. His real teacher, howe-

ver, was his elder brother Raoul.

Jean developed a pictorial language which

is characterised by bright and carefree

colours and an opening up of the pictorial

space. He succeeded in combining various

characteristics of Impressionism, Cubism

and Fauvism, and in developing his own

style from that. His works, and in particu-

lar his still lifes, are characterised initially

by shimmering surfaces composed of

juxtaposed colour squares and bold light

compositions. Here we see the influence

of his brother. In the course of his career,

he gradually broke up this systematic

treatment of space in terms of colour

squares, and developed an independent

pictorial language.

The present still life is dominated by a

gentle harmony of pastel-like tones, which

are cut through with bright accents of red.

The still life elements are set apart from

the background simply by means of loose

contouring, and reveal a spatial quality

which is part of Jean Dufy’s unmistakable

pictorial language.

CHF 20 000 / 40 000

(€ 18 520 / 37 040)